Spectacular black hole Miya Chek and Rhea Perlman
Writer / director Kate Tsang’s debut work has a quiet quirk. Gorgeous black holeHelp this story stand out from the stories of other adults. It is a small and intimate event that balances the life reality of a young man suffering from sorrow with the story of an old magician who brings light and joy to his life. Tsang’s film captures the wrath of young people with a simple, effective, must-see, cute, heartfelt, and entertaining seijin-shiki story.
Sammy (Miya Chek) mourns the loss of her mother and copes with the changes as her father and sister go through their lives. Her father, Angus (Leonardo Nam), has entered into a new romantic relationship that is straining the relationship with his daughter. Meanwhile, Sammy’s sister Patricia (Omachi Kannon) has found her own way of dealing with fantasy RPG and role-playing games. Sammy’s teen rebellion is enough to consider sending him to a camp for teens whose father is angry, but Sammy chooses to send him to a community college instead. To do. While skipping classes and tattooing in the bathroom, he meets Margot (Rhea Perlman), a wise wizard who takes Sammy under his wings.
Miya Chek of the magnificent black hole
Gorgeous black hole You need to monitor immediately. Miya Chek is a pretty young actress who dominates the screen with her presence. He plays a tough and emotionless character, but Cech’s innate charisma shines. Tsang’s script also allows Cech to occupy a wonderfully realized reality, and when combined with his anxious teen and a weird sorcerer, gives the film actor an interesting and lasting role. .. Also, the story does not dismiss or demonize Sammy’s anger and sadness. Instead, the film acts as a safe place for spectators to connect with their growth as they watch Sammy get Pearlman’s approval and approval from Margot.
In many ways Gorgeous black hole A reversion to last year’s adult story, without high or overly dramatic conceptual plot points that undermine the influence of the original theme. Tsang’s story features related issues that are difficult to portray in seijin-shiki dramas, but combines Sammy’s negative coping mechanisms with a light touch to show the hope that still remains around Sammy. increase. It is impossible to completely ignore Sammy’s challenge. On the contrary, Tsang approaches his story with attention and tenderness that resonates and makes the story effective.
The film focuses on Sammy, but it’s also a story of a family-father-daughter relationship. Leonardo Nam brings stability to the painting with a modest yet eloquent portrayal of a sad widow who finds love after a tragic loss. Kannon Omachi is her joy as Sammy’s nerdy sister and brings her a sense of joy that can only be found by accepting her life after her loss. These characters reflect where Sammy can be emotionally and mentally when she finds something to help her deal with her sorrow.Program for Gorgeous black hole She is fortunate to appear shortly after another adult ceremony for a 13-year-old girl. Early teens can easily switch to watching this story after watching Domee Shi many times. Turns red.. The two films can be considered double films because they complement each other. Those stories emphasize the complexity of being a young teenager with the deep emotions that young people experience. Both films underscore the power of creative production, which is the central theme of art. Beautiful black hole.
Gorgeous black hole Well done and played deeply.Tsang’s movie is not arrogantly cute Turns redHowever, writers and directors also recognize the importance and relevance of accepting joy and light. It’s hard to find a story about age. There isn’t always a sun and a rainbow, but that doesn’t mean that every difficulty story has to be engulfed in darkness and heavy atmosphere.Tsang’s vision Gorgeous black hole It is beautifully performed and performed brilliantly by its main female. The film is very heartwarming, leading with empathy, kindness, and a magical touch.
Gorgeous black hole It will land in the theater on Friday, April 22nd. This movie is 81 minutes long and has no rating.
4 out of 5 stars (great)
Marvelous & The Black Hole Review: A Charming, Whimsical Coming-Of-Age Story
Miya Cech and Rhea Perlman in Marvelous and the Black Hole
There is a quiet eccentricity to writer-director Kate Tsang’s debut feature, Marvelous and the Black Hole, that helps the story stand out from other coming-of-age tales. It’s a small, intimate affair that balances the raw reality of a young person dealing with grief, paired with a story about an older magician bringing light and joy into a young person’s life. Tsang’s film takes on teen rage in an endearing, heartfelt, and amusing coming-of-age story that is simple, effective, and demands to be seen.
Sammy (Miya Cech) is reeling from the loss of her mother and acting out in the face of change as her father and sister move on with their lives. Her father Angus (Leonardo Nam) has entered into a new romantic relationship, which has caused a strain on his relationship with his daughter. Sammy’s sister Patricia (Kannon Omachi), meanwhile, has found her own means of coping through fantasy RPG games and role play. Sammy’s teenage rebellion is enough to get her father to consider sending her to a camp for angsty teens, but he opts to send her to a community college instead. Whilst in the midst of skipping class and tattooing herself in the bathroom, she meets Margot (Rhea Perlman), a wise-cracking magician who takes Sammy under her wing.
Miya Cech in Marvelous and the Black Hole
Marvelous and the Black Hole is an instant must-watch. Miya Cech is a darling young actress who commands the screen with her presence. Despite playing a character who tries hard to be tough and devoid of emotion, Cech’s innate charisma shines bright. Tsang’s script also allows Cech to occupy a wonderfully realized reality, and pairing her angsty teen with a whimsical magician gives the film’s performers interesting and substantive roles to inhabit. The story also doesn’t dismiss or demonize Sammy’s rage and her means of mourning. Instead, the film acts as a safe space for audiences to engage with Sammy’s growth while they watch her find acceptance and validation from Perlman’s Margot.
In many ways, Marvelous and the Black Hole is a throwback to the coming-of-age tales of yesteryear, one that doesn’t involve high-concept — or overly dramatic — plot points that diminish the impact of its genuine themes. Tsang’s story holds space for relevant topics that are hard to depict in a feel-good coming-of-age drama, but she incorporates Sammy’s negative coping mechanisms with a touch of levity to exemplify the hope that still lingers around Sammy. There is no outright dismissal of Sammy’s hardships. Rather, Tsang approaches her story with care and kindness that ensures the story resonates and is effective.
While the film does focus on Sammy, it is also a story about family and the relationship between father and daughter. Leonardo Nam brings a sense of stability to the picture with an understated, yet effective portrayal of a grieving widow who has found love after a tragic loss. Kannon Omachi is a delight as Sammy’s geeky older sister, bringing with her a sense of joy that can only be found when embracing life after a loss. These characters are reflective of where Sammy could be emotionally and mentally once she has found the thing to help her cope with her grief. The timing for Marvelous and the Black Hole is quite fortunate as it arrives on the heels of another coming-of-age story about a 13-year-old girl. Pre-teens could easily transition into watching this story after repeat viewings of Domee Shi’s Turning Red. One can watch the two films as a double feature since they complement each other, their narratives highlighting the complexities of being an early teen with the wide range of emotions a young person feels. Both films explicitly highlight the power of a creative output which is a central theme in Marvelous and the Black Hole.
Marvelous and the Black Hole is well-executed and deeply moving. Tsang’s film is not as unabashedly cutesy as Turning Red, but the writer-director also sees the importance and relevance of embracing joy and light. Coming of age stories is hard. It won’t always be sunshine and rainbows, but that doesn’t mean every tale of hardship should be shrouded in darkness and a heavy atmosphere. Tsang’s vision for Marvelous and the Black Hole is beautifully realized and wonderfully executed by its leading ladies. The film is an immensely comforting film that leads with empathy, kindness, and a touch of magic.
Marvelous and the Black Hole released in theaters on Friday, April 22. The film is 81 minutes long and is not rated.
4 out of 5 (Excellent)
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